2/18/2023 0 Comments Event horizon![]() Biddle then served as a focus puller on director Ridley Scott's first two features - The Duellists (shot by Frank Tidy, BSC) and Alien (shot by Derek Vanlint, CSC).īiddle's subsequent TV commercial work for Scott and other filmmakers netted him two Minerves prizes and a British Designers and Art Directors Guild Award for Outstanding Cinematography. ![]() He also did some striking underwater work on Captain Nemo and the Underwater City. In his early days as a camera assistant, he donned a pair of skis to shoot the famed toboggan chase in the James Bond adventure On Her Majesty's Secret Service. "Richard was suggesting things like, 'He could sew his eyes back up again and we could do it in CG!' I'd reply, 'I'm a hardened horror fan, but even I don't want to see that!' Then Adrian would say, 'If I put a light over here, we could get more light into the empty holes of his eye sockets.' They definitely got into the spirit of the film." Adrian Biddle, BSCĪdrian Biddle has spent much of his career realizing fantastic yet believable milieus. "I think both Adrian and Richard are pretty sick individuals," Anderson opines with a chuckle, recalling a sequence in which one Lewis & Clark crew member gouges out his own eyes. Anderson therefore entrusted its look to some of the business' top talent, including cinematographer Adrian Biddle, BSC and visual effects supervisor Richard Yuricich, ASC. Event Horizon's budget of $70 million offered considerably more breathing room, but still proved to be a daunting project. Some images may be alternate or additional.Īnderson's previous pictures - the $3 million independent cult film Shopping (1993) and the $23 million action-effects extravaganza Mortal Kombat (1995) - proved that he could milk maximum impact from frugal financing. I wanted to make the kind of frightening horror movie that I loved as kid, like Alien." This article originally appeared in AC, August 1997. It's a great bonus that the story is set on a giant spaceship, but we're not making any bones about it - we're out to scare and revolt people like they did in the good old days! We don't want any of this namby-pamby postmodern horror attitude, we just want people to jump off their seats. If you replaced The Shining's Overlook Hotel with a labyrinthine spaceship orbiting Neptune, you'd have the basic premise. This film is about spacemen in the future who come face to face with a very medieval kind of evil in the far-flung reaches of our solar system. Director Anderson offers, " Event Horizon has a lot more in common with The Haunting or The Amityville Horror than The Black Hole. This quasi-mystical plot provides the perfect backdrop for grim episodes of Gothic space horror. A rescue mission mounted from a salvage ship - the Lewis & Clark - reveals that the derelict vessel has been ravaged by a malevolent presence whose origins date back to the Earth's Middle Ages. After a seven-year disappearance, the ship has mysteriously rematerialized in orbit over the planet Neptune. Anderson's sci-fi horror film Event Horizon, this astral phenomenon also provides the name of a prototype starship powered by the energy of a black hole. Scientists and science-fiction writers alike have postulated that black holes could possibly be portals to a distant galaxy, a parallel universe, or perhaps even Heaven or Hell. In astronomer's lingo, an “event horizon” is the point at which light and matter are ensnared by the immense gravitational field of a black hole, the remnants of a collapsed star. Note supplemental lighting built into the set and costumes. Quinlan) explore the main access corridor of the Event Horizon. At top, Captain Miller (Laurence Fishburne) and Peters (Kathleen Anderson and cinematographer Adrian Biddle, BSC enter the darkest depths of space.
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